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18 Mar 2021 - 06:57 pm
I am a humble chef, however, I most certainly will try to correctly formulate my head regarding the film, because it's very dear to my heart.
If a guy using a revolver gets away from the train in the prologue of Sergio Leone's film, then he or she must have something to say. The silent wanderer keeps a bitter story deep in the heart, his secret weighs heavily on his soul. However, even being sentimental in moments of relative solitude, the traveler is decisive, and as part of his eyes you will observe the fashion which has accumulated above the years. He isn't who he seems. The wanderer's name is Douglas Mortimer, a former military man and now a bounty hunter. If viewers on the film listen towards words of your flabby old man chained to a bed (a funny grandpa appears closer to your core film), they're going to learn that this trains, these damned and noisy objects, are the culprit for everything. Alas, but earthly hardships usually are not confined to trains and Douglas Mortimer is comfortable with this, his problem is made up of bones, flesh and blood. The, played by Lee Van Cleef, cherishes the soul with thoughts of revenge, but not simply revenge is in the center with the plot of Sergio Leone's brainchild, because along with the retired colonel, there's another hero in the film. Fast, accurate, discreet, another bounty hunter. At least curious, but at most wildly interesting, particularly when the “one-armed” shooter is played by Bruce Lee in the world of Westerns - Clint Eastwood. It's easy to estimate that the paths of Mortimer and the nameless shooter will cross under the sun with the wild west. The spaghetti is definitely inside the pot.
In A Few Dollars More, phrases for instance “in 10 minutes you'll be smoking in hell” or “you might need a new sheriff” are inevitable. The hero of Clint Eastwood is shown as a shooter whose abilities could be relevant in a very science fiction novel, but all of that is claimed should not be attributed towards the disadvantages from the narrative. The most absurd moments within the Western genre and within the skillful direction of Sergio Leone become salt for spaghetti, and the storyline from the partnership between One-Handed and Colonel Mortimer tenaciously keeps viewers in the screens, which are in all likelihood visited by such thoughts: ¬¬ “I wonder what may happen further? Will One-Armed and Colonel Mortimer find common ground? ” “Some dollars more” - shootings, chases, music of contributions, personifying next of death, here satire, along with foolishness, lives alongside each other with drama and ironically interpreted religious motives. And, finally, situation shown by Sergio Leone is the archetype of various paintings, where partnerships flow into friendship, though into a form of friendship, in this particular friendship somebody can shoot somebody within the neck so that he isn't killed by way of the thugs of the very last boss. The fire is burning within the pan. The spaghetti actually starts to boil.
Sergio Leone's tape is a real classic on the genre, and this is certainly simple to implement by the sound of bullets fired with the heroes, bank robberies and the long glances that two shooters exchange prior to a decisive shot, that shot that decides human destiny. The creators not merely highlight their creation (and they actually do it well), but in addition touch on burning topics in some installments of the film, not afraid to scoff at corrupt politicians and cunning businessmen, using original script moves. Moreover, it's more than interesting to watch a number of Clint Eastwood and Lee Van Cleef - the heroes of the previous and new generation of westerns who, finding yourself in the images of Manco (One-armed) and Colonel Mortimer, now trying to prove something to one another, competing inside the having a revolver and doing of sieve hats. Hmm, something's getting hot in the kitchen, phew, it's time to serve spaghetti within the table. Winnie, the wedding guests are waiting, hurry up, there're hungry and now taste Leone's signature spaghetti. It's tricky to have an expressive chef to find a better helper these days. Spaghetti is served, but wait a few minutes, dear guests.
Undoubtedly, Sergio Leone in their “A Few Dollars More” demonstrates to cinema the lion's share of his talent and professionalism, and the photo itself can be considered hypertrophied dominating before the initial film in the trilogy, which attracted the eye with the expressive Akira Kurosawa. Ages later, Leone's brainchild tries to please numerous people, plus the film succeeds: those viewers who wish a dramatic story comprehend it, individuals that love shooting and duels are satisfied, and connoisseurs of satirical humor will likely be satisfied after watching. Structure music, you may speak briefly - Ennio Morricone. Dear listeners, perhaps I will be too excited, which are my thoughts slightly confused, but for those who watch a great film of my fellow countryman at least one time, you may be convinced in the correctness of my words. However, I won't hide my bias, I truly love the stories with regards to the shooters of your wild west, where there's two not the same bounty hunters chasing a similar victim, yet not a similar motives. Oh, I almost forgot, season with spaghetti sauce and garnish with basil. Looks pretty good. Enjoy your meal!
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